Masks
Placing a slab of wet clay directly on my face – not able to see what I was doing – I worked from “the inside out.”
Breath and emotion became catalysts for the surprising faces that emerged.
The masks “came alive” through Raku, an ancient Japanese firing process, in which I removed glowing red-hot masks from the kiln and placed them onto a mound of sawdust or hay. Fire shot out of their mouths, eyes and nostrils! Once cooled, the masks displayed distinctive patinas of matt black, smoky white, and rust.